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Made in UK (Parte3di6): Misfits


If Misfits were a book and had one of those bands gialle con una frase d'effetto questa potrebbe:
- Peter Petrelli mi può succhiare il pisello-
o anche:
-Come gli X-men, ma strafatti di metanfetamine-

Misfits non è un capolavoro, non è neanche tanto originale (praticamente è skins con i superpoteri),ma resta comunque un importante passo nella definizione di "Gli inglesi sanno fare televisione".
Ma facciamo un passo indietro, Misfits ha una trama che non si può certo dire innovativa: un gruppo di ragazzi destinati ai servizi sociali viene investito da uno strano temporale che gli concede strani poteri. E fin qui tutto bene, ma la genialità di un prodotto come Misfits è di portare dissacrare i miti sugli eroi (e non levargli just the costume) and above all do with a very low production costs.
get super powers for once are not boys with an average of ten and the morals of an altar boy, but boys on the street who can not wait to do the wrong thing. And the wrong things in if they see several Misfits, the complete package to the Skins, sex, drugs and profanity. The whole thing is topped off with special effects by fair country that instead of something off the production's added a touch of trash whose charm is not to be underestimated.
The choice of locations, the east end of London, gives the series a very "street" or "underground", I would not be deficient in other terms to describe la periferia, ma vi assicuro che vedrete una londra che non ha nulla a che fare con il Big Bang o Westminster.
A completare il pacchetto (è forse anche la vera colonna portante della serie) l'interpretazione folle e irrefrenabile di Robert Sheehan che dal primo minuto si esibisce in un'infinita serie di battute alle quali un camionista arrossirebbe come una signorina. Il suo personaggio, Nathan, è una mina vagante sempre pronto dotato di un'inesauribile carica sovversiva ai limiti del parossistico (visto che belle parole che conosco).
Misfits come ho già spiegato forse non sarà un capolavoro, ma è una produzione tanto intelligente e ha sceneggiature e caratterizzazioni tanto perfetti, che non può farsi will hurt.

-Misfits is the ultimate what-if: What if Spiderman had been born in San Basilio or Scampia? -

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Made in UK (Parte 2di6): Red Riding


Two film students, one Italian and one English.
Question-What 's a TV movie, maybe even a bet? -
Answer (ITA)-A dog crap with actors and directors even more dogs followed by directors of photography Dalton-
Response (UK)-like Red Riding-Art

I had the pleasure of seeing Red Riding to the film festival in Rome. I had the pleasure of seeing them in a marathon and in the original language. I had the displeasure to find that for some reason has never gone and never will go on display Italian.
Red riding is adapted from a series of Books by David Peace, in a trilogy produced by Channel 4 (public TV) and directed by three different directors and actors played by size (for the long list of names, I refer you to wikipedia page, but for which we do not recommend reading if you do not burn the plot.
The narrative unfolds in three years, 1974, 1980, 1983, following the adventures of a Yorkshire town in the grip of a horribly corrupt police and a brutal murderess. The first two episodes seem self-contained, and the third in a kind of catharsis shows us the redemption of the city and the characters that populate unfolding the mystery of the Yorkshire Ripper.

photography is masterful, dark, yet powerful, with shots and bold solutions improponili director for the drama of the beautiful country. The first episode is shot in 16 mm, 35 mm in the second and third with one Red (digital camera capable of recording images at a maximum resolution of 4K). The actors form a very solid cast, with an honorable mention for Adrew Garfield protagonist of the first episode and Paddy Considine inspector in the second and third.

So what do we teach the aliens beyond the sleeve:
1) The police sometimes (often in real life) are the bad guys
2) Not all agents have the neckline of Emanuela Arcuri ertain are ugly and drink it as there was no tomorrow
3) E 'can experience when you turn on the television ... so try not smarmellare .
4) If the movie you do write from a real writer, not the son-in-law of the uncle of the King of Italy, which also makes the plumber, then there is a good chance that the stories are to at least consistent.
5) If the director and screenwriter has even experienced a real writer then you have to give up to fuck all the cast and female players to choose how to act (that is heretical).

In conclusion, I want to say that I deliberately glissando on the plot to avoid revealing too much, but I can ensure that films such as Red Riding are hardly forgettable and depressing light years ahead of Italian production, also beautiful, as Romanzo Criminale.

As in those movies where at the end so appear Ole written to tell us what happened to the characters:
The student of the Italian cinema has 32 years, a little boy for our country, worked as assistant director, but for less pay figure as a tool. And 'the seventh season of "Carabinieri".
The student is 32 years old English instead, the right age to become director of a television channel.